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Photography
60x80 cm.
Ed.1/5+1AP.
2021-22

This artwork was originally created in 2011 as an installation with torn umbrellas. The size of the installation is over 600x800cm. The artist was inspired by J. S. Bach's "Toccata and Fugue".

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Toccata #2

Sculpture, auto paint on stainless steel and chrome rope
H.147x138x36 cm.
Ed.2/5+1AP.
2011

“This ship named "Noah" doesn't float on the sea; instead, it's suspended in the air, supported by its pinwheels. This composition actively moves the ordinary to unfamiliar grounds. The work that invites the audience on an intellectual journey and exploration is adorned with red pinwheels with five corners. The color red is used to convey life and death, whereas the pentacle-like shape of the pinwheels represents the anatomic structure of the human: the head, arms, and legs. The constructivist construct created by the pinwheels is allegorical to life and the human experience. As humans face time and march against it, the pinwheels face the wind, finding movement in resistance to life. In summation, the reality of life and existence becomes the central theme of this work.”

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Noah

Photography
200x140 cm.
Ed.1/5+2AP.
2002

His 2002 photographic work “Football is Life” even refers to Durer’s “Adam and Eve”, yet the woman offers a football instead of an apple. Currently in Turkey, football and the male domination in sport industry is surreptitiously linked to politics, illegal business and chauvinistic manifestations. Here again he audaciously selects a Christian iconography which may be very subversive for the gaze of the public even if it may irritate its convictions.

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Football is Life

Inkjet Print on Hahnemuhle Photo Rag 308 Gsm Paper
70x100 cm.
Ed.17/40+1AP.
2021

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BüroSarıgedik

Ascension

Digital artwork, Lambda C-print on Fujifilm Pearl Paper, Mounted Between 3mm Forex and 1mm Transparent Acrylic (diasec)
50x37cm.
Ed.1/5+1AP.
2015

“In the Cards” series I used the mirror metaphor to combine the figures and surfaces within the compositions arranged like a deck of cards. Starting from the reflection in the mirror, I wanted to discover the relations between the inward gaze, reciprocal view and the way two equals hurl each other towards opposite directions through repetition. 
Apart from the balance between harmony and disharmony in the series, I wanted every photograph to be able to stand alone with the narrative possibilities they contain.  The possible readings cards offering inevitably indicate the obscurity of future and fate.  The network of relations we live within and our connection with the universe includes both the enigmatic and the unpredictable.  The photographs in “In the Cards” series desire to exist on their own by blending all the aspects they touch upon rather than relying upon a symbolism eliminating mystery or trying to discover the unknown.


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Galeri Nev İstanbul

In the Cards Series, Club #4

Sun Print
42x29 cm.
Ed.1/3+1AP.
2021

Examining photography through sun print, the series tackles a wide range of topics that include metareality, cameraless photography, hauntology, empiricism, and the effectual position of nature.


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Mixer

Library of Images Not Seen

Acrylic And Water
Variable Dimensions
Ed.1/3+1AP.
2021

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Öktem Aykut

Untitled

Machine Embroidered Images of Bess on Felt, Lace, Felt, Needlework
72x84 cm.
2021

Like the female worker bees, the women in our society carry a large burden to fulfill myriad duties that secure the smooth functioning of the system. Like the female bees, our work never ends and often our fate depends on an ability to work together and support one another.  But unlike the bee community, ours does not have a queen bee and females must develop a strong ability to multitask since they must also be fertile and give birth. Nevertheless, we are all sisters sharing numerous commonalities during the different stages of life as we move back and forth working both inside and outside our homes serving as role models for and supporting future generations.

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Pi Artworks

We Are All Sisters

Gif
Ed.1/3+1AP.
2018

Every person goes different places. He leaves a mark on himself wherever he goes. Our home is where we leave the most marks. As time passes, the memory permeates the place and us.

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Versus Art Project

In a Lifetime No:1

Composite
H.58x34x30 cm.
Unique
2021

In Ünsal’s world of images, the souls initially appear in pure, naïve and regular forms. But as they remain subject to violence, their forms deteriorate and undergo serious deformation. To reflect these transformations, the artist employs a visuality which accentuates the effects of violence by defying the classical notions of beauty.

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Single channel HD video
7’
Ed.2/5+1AP.
2015
(courtesy of the artist)

A digital video on the works and the studio of the famous Paris-based artist Sarkis.

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L’Atelier Sarkis (Resistance Series)

Photography
3820x2657 px.
Resolution 150 ppi.
45x65 cm.
Ed.1/3+1AP.
2015

The video serie does not contain a representation of the exhibition. It is a video trailer serie produced by analog methods. On the other hand, photos present certain moments and slices concerning the experience.
This installation was set in the Nakilbent Cistern, which was built to meet the water needs of the city. It was thus based on the revitalization of the cistern’s story of coming into existence. The cistern, having been distanced from its own function with the city’s changing water needs throughout history, has turned into a gallery today. 
Suruhu aims to make experienceable the historicality of this functional relationship that the space establishes with water, its relationship with time and memory. The installation was filled with diluted water and the atmosphere was walkable, but still filled with water. This atmosphere allows you to experience space not as a container or a carrier in which objects are placed, but as a full being, with its own climate and its own body. The homogeneous light source filtered from the end of the space creates a spatial infinity effect and recalls the water and cistern networks under the city which are not limited to the walls. The light also intensifies the visibility of water, which is the main element of the work. The light in the form of a single line that rises and falls vertically presents a compressed story of the water diminishing from the cistern over a long period of time.


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Suruhu_yanışık

Generative, custom software
1920x1080 px.
Ed.1/3+1AP.
2022

While bringing a fresh impulse into this field, this series of geometric works reveal the origins of new media art.

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Zilberman

Geomart-ut3

Video
1080x1920 px.
0’18”
Ed.1/1+1AP.
2021

If a building ripples in the city and no one's around to hear it, does it make a sound?

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Ripple

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Memory Paintings I

3D animation
1920x1080 px., h264, 00'45"
Ed.1/1+1AP.
2022

In his series that focus on the body and architectural design, Ahmet Rüstem presents landscapes that reflect the relationship between form and body. Rüstem designs spaces that are filled up with virtual bodies and he creates scenes that seem to be tied to a predetermined scenario through his virtual architecture designs.

Art Platform

Certification

Journals

5 + 3 Interview Series

The Issue of Originality in Mediation of Art with Technology

What is an NFT?